Colonial Song Grainger, Percy It is very unlikely that this work is public domain in the EU, or in any country where the copyright term is life-plus years. Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country. Composition Year , Genre Categories Songs ; For piano ; Scores featuring the piano ; For 1 player ; For 2 voices, orchestra ; For voices with orchestra ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the tenor voice ; Scores featuring the orchestra ; English language ; For wind band arr ; For orchestra without strings arr ; Scores featuring wind band arr ; For violin, cello, piano arr ; For 3 players arr ; Scores featuring the violin arr ; Scores featuring the cello arr ; Scores featuring the piano arr ; For 2 voices, piano arr ; For voices with keyboard arr ; Scores featuring the voice arr ; For piano arr ; For 1 player arr.
Hesperus, Early American Roots Another fantastic offering from the Hesperus Early Music Ensemble, this disc includes 22 performances based on century ballads, hymns, and cotillion tunes. George Fenton, The Crucible: Original Motion Picture Soundtrack Composer George Fenton utilizes viols, sackbuts, and other obscure period instruments to carefully craft the soundtrack to this film based on Arthur Miller's play about the witch hunts in 17th-century Salem, Massachusetts.
Cite This Page. Noir jazz tracks make up this new album by the Los Angeles-based alternative artist. Overvalued Ideas by Shaking Chains. Charmingly wonky, danceable post-punk from Manchester with a pop heart and the soul of protest folk. Charming German indie pop with the keen melodic sensibilities and melancholic undercurrent of some of the style's best practitioners.
Stark, slightly spooky songs from this Asheville musician, with guitars as bare as winter trees and eerie, distant vocals. A Sudden Nowhere by Phill Reynolds. More smoky, melancholy folk from Italian singer-songwriter Phill Reynolds, laced with elements of Americana, country, and the blues. That was where the great British public got their first glimpse of the heavy-lidded Ferry, Brian Eno grinning impishly behind his synth, sax-mad Andy Mackay in sparkly yellow and green, louche, long-limbed bassist Rik Kenton, guitarist Phil Manzanera, all beard and outsize shades, and drummer Paul Thompson, his leopardskin off-the-shoulder number notwithstanding, the sole concession to normal blokedom.
Individually odd, they just about cohered as a unit. Their self-titled debut album was an equally gobsmacking clash of styles and sonics. Or, considering its arch provocation, think punk five years ahead of schedule. Buy from Amazon.
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