Natur lebendig, wertvoller als tod. Odette Schirmer. Du kommentierst mit Deinem WordPress. Du kommentierst mit Deinem Google-Konto.
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Crazy Credits. Alternate Versions. Rate This. Added to Watchlist. Photos Add Image Add an image Do you have any images for this title? Edit Cast Credited cast: Gus Backus Themselves - Instrumentalists Monika Dahlberg Self - Singer Die Drei Ghezzis Themselves Die Drei Monitons Themselves Joy Fleming Self - Singer Edith Hancke Self Kurt Huemer Self - Singer Lillemor 'Lill' Lindfors Self - Singer Irene Mann She clearly feels comfortable playing with her mother than with other cast but, generally, she creates a unique atmosphere throughout with the climax of the song being sung together with her famous daddy.
Most memorably, she utters "Himmlisch" heavenly while her friend utters 'uebererdisch' unearthly. Therefore, if there is a constructive criticism which addresses this movie, it surely fails in case of Romy Schneider - she is the ultimate plus of this film. The scene when her husband is singing his dedication to her is a clear reference to the appealing style that the viewers of the time were used to.
Ms Schneider is unforgettable in the scene when a very special song is being played on the radio, the song that gives an answer to her dilemmas. Also, her meaningful tears in the theater and visual attention being caught remain a unique impact of a classical actress on her audience Willy Fritsch is adequate in the role but not outstanding.
It is hard to play a famous person whose attention, in a long run, is stolen by the younger and more attractive. Besides, the script itself makes it difficult for the actor to feel at ease. Among the supporting cast, Paul Klinger's role of uncle Peter deserves attention.
Kept in the style of a musical movie, it offers some truly musical moments that maintain the charm of the time. The songs are sweet but fit well to the genre.
The spots are authentic, in particular, the ones shot on location at Wiesbaden not so common for Heimatfilme. Besides, the images of spring and the title lilacs provide mood which consoled the viewers of the time and, symbolically, directed their impressions towards hopeful future.
And for us now? For us today, it is purely a Romy Schneider film more significant 30 years after her death. The very first movie when all white lilacs bloomed for her approaching career. Sign In. Get a sneak peek of the new version of this page.
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