Das neue Album des Latino-Stars ist ab dem 1. August zu haben und verspricht Sommerfeeling pur. Fast nie wird Roger Cicero nur nach seiner Musik bewertet. Auch bei dem neuen Album "Was immer auch kommt", das am Freitag Und doch hat er noch immer sein Markenzeichen - den Hut - auf.
Das am Freitag Mit diesem Album sind wir unserer Idealvorstellung vom Trackshittaz-Sound sehr nahe gekommen. Die mittlerweile 13 Musiker haben lange an ihrer ersten Platte ohne Naidoo gefeilt, am Freitag Februar erscheint "Elyzion".
Februar gastiert es im Grazer Orpheum, am Der Longplayer kommt am Februar in den Handel. Im September steht zudem der Und dennoch steht er "Mitten im Leben", wie sein am Februar erscheinendes, neues Album betitelt ist. Offiziell auf den Markt kommen soll die neue Platte am Die neue SIngle wird am Alles zu oe24Plus.
August Uhr. Teilen Twittern. Die Neuauflagen auf Vinyl gibt es inklusive Poster und Comic. One Republic in der Wiener Stadthalle. November gastieren die US-Rocker in Wien. Adel Tawil "Lieder Live". Point Blank. Blitzgscheit Version 1. One Night. Boid is so weid. Get On With Your Life. Greg Allman. Neil Young. Chili con Carne. Chili Con Carne. Da brade Weg. That's What They All Say. Graham Parker. Da Dings. Harry's Wall. Loudon Wainwright III. Da Joker.
The Joker. Steve Miller. Da steht a Haus. La Grange. ZZ TOP. The Heckler. Damit wos weidageht. Some Kind Of Wonderful. Good Morning Little Schoolgirl. Be Good To Yourself. Andy Fraser. Des haut mi vire. Texas Tango. All Or Nothing. Steve Marriott. Des Wetter wird umschlogn. Call Me The Breeze.
In The Midnight Hour. Du bist ka Engel. She's No Angel. Du bist und bleibst a W. Twistin' The Night Away. Sam Cooke. Du mochst mi krank. Du woarst no nie so schee wia heit. Wonderful Tonight. Eric Clapton. Echt super. Power Windows.
Billy Falcon. Erschte Klass 1. Travellin' In Style. Es is besser du gehst. You Better Move On. Arthur Alexander. Feia am Doch. Ready For Love. Mick Ralphs. Independence Day. Fia di Hoa. Frog ned wos muagn is. I Must Be Dreaming. Willy DeVille. Ganz afoch. Steve Earle. Geht da daham wos o? Fire Down Below. Bob Seger. Gemmas wieder an. Phil Lynott. Gheat si des? I Can't Help Myself.
Rainin' In My Heart. West Moore. Rockin' Daddy. Chester Burnett. Hey Joe. Feelin' Alright. Dave Mason. I brauch kan Dokta. Down At The Doctor's. Und der Kurti war ratlos. Was ihm gar nicht so ungelegen kam, denn: "Warum soll i jedes Jahr a neue Palttn mochn, a wann ma nix dazu einfallt.
Des mochen eh die andern. Bei lockte die Chefpartie z. Sagt mir der Kurti. Ich will wissen, warum. Und morgen ist alles wieder ganz anders. The seven men in this group are revealed in the gatefold holding "Horace," a dog, while three engravings from by artist Robert Vernon make up the front, back and inside cover.
Those paintings are striking, and though the music, mostly written by vocalist David Surkamp, tries hard, it just isn't as captivating as the package which surrounds it. Surkamp sounds like a chick singer, something that wasn't quite in vogue yet -- Journey and the Mickey Thomas Starship wouldn't happen for another four years, not until , and even Thomas' hit with the Elvin Bishop Group was a year away, male vocalists were singing in lower registers at this point.
If you thought Mott's high pitched vocals were out of place and annoying, check out Surkamp's strange warbling. The band itself isn't half bad. Carver's sole composition, "Preludin," comes off as one of the best tracks, perhaps because it is an instrumental version of progressive rock that Triumvirat and early Journey were exploring, But when David Surkamp's vocals kick in again on the next tune, like Pavlov's experiments, it makes the listener want to break things, including this record.
If this were an instrumental group, the music would be much easier to take. The band provides elegant rock, majestic drums by Mike Safron, additional keyboards by David Hamilton augmenting Rayburn's mellotron and flute, and solid 70s production from Krugman and Pearlman. Lead guitarist Steve Scorfina co-writes a beautiful piece with vocalist Surkamp in "Late November," but its perfection is marred by the whining sounds of the frontman.
It is really sad, as there seems to be much potential here, drummer Michael Safron's "Song Dance" another highly creative number. The solid riffs, the wonderful blend of sounds, all destroyed by David Surkamp's forced vocals which sound like some experiment by Pavlov gone awry. Columbia Records should re-issue an instrumental version of this disc via their Legacy series, the music deserves it. Americana Roots Magazine calls this CD one of their favorites of the year. If you like the blues, it's a must.
The U. For their second outing, Tracks, they continue their quest for exceptionally crafted country-flavored material. His temperate vocals and melodic piano runs recall that of Jackson Browne or early folksy Tom Waits. Of equal if not arguably greater prowess is the downhome, organic "Jack Daniels," which returns the sound to a loose groove mirroring the Band's rural rockers "Up on Cripple Creek" or "Life Is a Carnival". Tonky, with a Martin D28 acoustic guitar, and Paul, with a Hohner harmonica, produced this great sounding recording.
No amplifiers were used on the instruments and there was no re-tracking of any musical or vocal parts. The session was recorded as a "live" style performance. There are seven original songs written by Paul or Tonky, and five cover songs. All lovers of acoustic blues music will enjoy this recording.
Listen to the audio samples then order your copy today. Thank you for your support and friendship. Formed in the early 's, Mike and the Blues Mission have toured the East Coast playing a variety of festivals and clubs building a loyal audience and sharing the stage with many blues legends. First studio session in six years, this release is a six song EP that features two new originals, three live recordings and a bonus track. Bonus track features Super Dave Ward on harp and Henry on trombone.
Cream Ricky Tick. Cream was the first top group to truly exploit the power-trio format, in the process laying the foundation for much blues-rock and hard rock of the s and s.
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